小号吹奏 – 舌头的功能以及不同的运用
舌尖吹奏法 是我们最常用。它的位置应该是在上门牙后,且根据音域上行或下行时,舌尖对上门牙后的位置,和舌头的位置略有向上或下,和向前都有必要的调整
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In today’s educational landscape, the quest for the “Best Method” of trumpet playing is a topic of much debate and discussion. While this dialogue can be both enriching and enlightening, there exists a potential pitfall: an excessive focus on methodologies may overshadow the essence of music itself. As the saying goes, “to remove the dross and extract the essence” is the hallmark of cultural advancement. It is imperative to strike a balance between embracing new methodologies and honouring time-tested traditions.
In the realm of music, particularly the refined art of trumpet playing, the path to excellence may appear multifaceted. However, it is essential to recognise the unique nature of the trumpet and acknowledge that achieving a satisfactory level of performance requires dedication, confidence, and a steadfast commitment to personal growth and development.
舌尖吹奏法 是我们最常用。它的位置应该是在上门牙后,且根据音域上行或下行时,舌尖对上门牙后的位置,和舌头的位置略有向上或下,和向前都有必要的调整
Students should learn how to make lips compression – lips pucker (or image lips a little bit forward), especially playing…
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